Paul-Émile Borduas
Paul-Émile Borduas
1905 - 1960
AUTO CAS QMG RCA
In 1948 Paul-Émile Borduas stunned Quebec with his radical manifesto, the Refus global. The manifesto was a complete rejection of the social norms and values of the era in Quebec at the time, especially under the oppressive rule of Maurice Duplessis. The Refus global called for uncensored thought and the separation of the church and the state. The manifesto is considered to have been one of the fundamental causes of the Quiet Revolution in Quebec. There were fifteen signatories to the Refus global, many of whom were members of the artistic group the Automatists.

The Automatists were a group of non-figurative Québécois artists which was founded by Borduas in the early 1940s; they were influenced by Surrealism and its theory of automatism. The Automatists would meet in Borduas’s studio to discuss Marxism, Surrealism and psychoanalysis, all subjects that were condemned by the Catholic Church in Quebec. The Automatists held a number of exhibitions, notably in New York in 1946 and in Paris in 1947. What had begun as a dissident student group became an important cultural movement.

Quebec artist Ozias Leduc recognized Borduas’s talent early in his life, and hired him as his assistant in 1920, when Borduas was only 15. In 1923 Borduas entered the École des Beaux-Arts in Montreal, enabling him to teach in Quebec elementary schools, beginning in 1927. In 1937 Borduas became a Professor at the École du Meuble in Montreal; however, the publication of the Refus global in 1948 resulted in his dismissal.

In the early 1940s, Borduas's painting was figurative, but soon became increasingly abstract. By the late 1940s, the influence of automatism was present in his abstract works, which often took the form of shapes floating in space over colour field backdrops. Borduas left for the United States in 1953, first to Provincetown, then to New York, and prepared for his first solo show in that city at the Passedoit Gallery. Here he encountered the New York School of Abstract Expressionists, and light and space increasingly became the focus of his oil paintings. In 1954, he also produced a remarkable body of work in watercolour. Borduas moved from New York to Paris in 1955, where he produced his remarkable black and white paintings, which are classical and pure in their simplicity. Borduas died in Paris in 1960.

Some of the highlights from his exhibition history include a 1962 retrospective that originated at the Montreal Museum of Fine Arts and traveled to the National Gallery of Canada and the Art Gallery of Toronto. In 1977, the Vancouver Art Gallery held an exhibition of his New York period works entitled Borduas and America, and in 1988 a major retrospective was held at the Montreal Museum of Fine Arts. His work is in the collections of the Guggenheim Foundation and the Museum of Modern Art in New York, the National Gallery of Canada, the Art Gallery of Ontario and the Montreal Museum of Fine Arts, among many others.
COMMENT ACHETER
OEUVRES DISPONIBLES
Les résultats record de la Maison Heffel
Figures schématiques by Paul-Émile Borduas vendu pour $3,601,250
Paul-Émile Borduas
Figures schématiques
51 1/8 x 76 7/8 in, 129.9 x 195.3 cm
huile sur toile
Estimation : 3 000 000 $ - 5 000 000 $ CDN
Vendu pour : 3 601 250 $ CDN (Prime d’achat incluse)
Post-War & Contemporary Art, mercredi, 30 mai 2018
Miniatures empressées by Paul-Émile Borduas vendu pour $1,441,250
Paul-Émile Borduas
Miniatures empressées
57 1/4 x 44 3/4 in, 145.4 x 113.7 cm
huile sur toile
Estimation : 900 000 $ - 1 200 000 $ CDN
Vendu pour : 1 441 250 $ CDN (Prime d’achat incluse)
Post-War & Contemporary Art, jeudi, 23 novembre 2023
Sans titre by Paul-Émile Borduas vendu pour $781,250
Paul-Émile Borduas
Sans titre
24 x 19 5/8 in, 61 x 49.8 cm
huile sur toile
Estimation : 300 000 $ - 500 000 $ CDN
Vendu pour : 781 250 $ CDN (Prime d’achat incluse)
Post-War & Contemporary Art, mercredi, 29 mai 2019
Chant d’été by Paul-Émile Borduas vendu pour $737,500
Paul-Émile Borduas
Chant d’été
42 x 36 in, 106.7 x 91.4 cm
huile sur toile
Estimation : 400 000 $ - 500 000 $ CDN
Vendu pour : 737 500 $ CDN (Prime d’achat incluse)
Spring 2015 - 1st Session, mercredi, 27 mai 2015
Libellules égarées by Paul-Émile Borduas vendu pour $507,400
Paul-Émile Borduas
Libellules égarées
32 x 39 1/4 in, 81.3 x 99.7 cm
1953
huile sur toile
Estimation : 200 000 $ - 300 000 $ CDN
Vendu pour : 507 400 $ CDN (Prime d’achat incluse)
Fall 2015 - 1st Session, jeudi, 26 novembre 2015
Sans titre by Paul-Émile Borduas vendu pour $501,500
Paul-Émile Borduas
Sans titre
28 3/4 x 23 1/2 in, 73 x 59.7 cm
huile sur toile
Estimation : 300 000 $ - 400 000 $ CDN
Vendu pour : 501 500 $ CDN (Prime d’achat incluse)
Fall 2014 - 1st Session, jeudi, 27 novembre 2014
Tendresse des gris by Paul-Émile Borduas vendu pour $460,200
Paul-Émile Borduas
Tendresse des gris
36 x 30 in, 91.4 x 76.2 cm
huile sur toile
Estimation : 300 000 $ - 400 000 $ CDN
Vendu pour : 460 200 $ CDN (Prime d’achat incluse)
Spring 2015 - 1st Session, mercredi, 27 mai 2015
Dominos by Paul-Émile Borduas vendu pour $421,250
Paul-Émile Borduas
Dominos
39 1/4 x 31 3/4 in, 99.7 x 80.6 cm
huile sur toile
Estimation : 350 000 $ - 450 000 $ CDN
Vendu pour : 421 250 $ CDN (Prime d’achat incluse)
Post-War & Contemporary Art, mercredi, 21 novembre 2018
Chant d’été by Paul-Émile Borduas vendu pour $409,500
Paul-Émile Borduas
Chant d’été
42 x 36 in, 106.7 x 91.4 cm
huile sur toile
Estimation : 250 000 $ - 350 000 $ CDN
Vendu pour : 409 500 $ CDN (Prime d’achat incluse)
Spring 2011 - 1st Session, mardi, 17 mai 2011
Sans titre by Paul-Émile Borduas vendu pour $409,500
Paul-Émile Borduas
Sans titre
28 3/4 x 23 1/2 in, 73 x 59.7 cm
1959
huile sur toile
Estimation : 100 000 $ - 150 000 $ CDN
Vendu pour : 409 500 $ CDN (Prime d’achat incluse)
Spring 2013 - 1st Session, mercredi, 15 mai 2013