LOT DETAILS
This session is closed for bidding.
Current bid: $1,600 CAD
Bidding History
Paddle # Date Amount
36475 11-Aug-2021 02:06:31 PM $1,600
818753 10-Aug-2021 11:30:42 PM $1,500

LOT h237

1970
Canadian Indigenous

Ovoid Felts
watercolour, paper, shell buttons, glass beads on felt with embroidery edges, 2017 - 2019
29 x 24 in, 73.7 x 61 cm

Estimate: $2,000 - $2,500

Sold for: $2,000

Preview at: Heffel Vancouver

PROVENANCE
Collection of the Artist


Charlene Vickers is an Anishinaabe visual and performance artist living and working in Vancouver, Canada. Selected solo and two-person exhibitions include Letslo:tseitun with Lawrence Paul Yuxweluptun (2021) and Where we Gather (2020), both at Macaulay Co. Fine Art in Vancouver; Reclamation at Gallery 1515 in Vancouver (2017); Accumulation of Moments Spent Under Water With The Sun And Moon at ACE ART INC. in Winnipeg (2017); Asemaa/Tobacco at Artspeak in Vancouver (2015); Ominjimendaan/ to remember at Urban Shaman in Winnipeg and grunt gallery in Vancouver (both 2012); and Brown Skin Before Red at Richmond Art Gallery (2008). Selected group exhibitions include Where do we go from here? At Vancouver Art Gallery (2020); Jingles and Sounds for Speaking to Our Grandmothers at Tanúyap Project Space at Fazakas Gallery in Vancouver (2018); Art Toronto, Seattle Art Fair, and Papier Art Fair with Fazakas Gallery (all 2018); I continue to shape at the Art Museum at the University of Toronto (2018); Connective Tissue: New Approaches to Fiber in Contemporary Native Art at IAIA Museum of Contemporary Native Arts in Sante Fe, NM (2017); Ambivalent Pleasures at Vancouver Art Gallery (2016), and many more. In 2018, Vickers was the recipient of a VIVA Award through The Jack and Doris Shadbolt Foundation for the Visual Arts. Vickers holds an MFA from Simon Fraser University (2013) and a BA in Critical Studies from Simon Fraser University (1994). Vickers is represented by Macaulay & Co. Fine Art. In 2019, Vickers was an artist-in-residence at BAF, which amounted to a solo exhibition titled Chrysalis of new works on paper and canvas which conveyed a “dreamt and imagined space of floating and transformation within memory of Anishinaabe territory” (Vickers).

Vickers’s practice in painting, sculpture, and performance, explores her own identity and how it is situated in the world in relation to place, space, and history, often through traditional Anishinaabe techniques and materials. Vickers has developed her Ovoid Felts series for the last few years using a wide variety of materials and colours. While this rendition is presented in a grouping, Vickers also presents her felt works individually. Ovoid Felts is a unique work.

Please note: the dimensions are the framed dimensions.

Please note: Consignor Hammer Price proceeds of this lot will benefit the artist and Burrard Arts Foundation. The Buyer is hereby advised to read fully the Terms and Conditions of Business and Catalogue Terms, including the Together Again | BAF Exhibition and Auction in support of Alumni Artists Sale Notice and Special Terms of Sale, and any Addendum or Erratum specific to the Together Again | BAF Exhibition and Auction.


All prices are in Canadian Dollars


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