LOT DETAILS
         
         
         
         

This session is closed for bidding.
Current bid: $1,600 CAD
Bidding History
Paddle # Date Amount

34304 25-Mar-2021 03:06:45 PM $1,600

30590 25-Mar-2021 03:06:18 PM $1,500 AutoBid

34304 25-Mar-2021 03:06:18 PM $1,400

30590 25-Mar-2021 03:05:55 PM $1,300 AutoBid

34304 25-Mar-2021 03:05:55 PM $1,200

30590 17-Mar-2021 04:07:31 PM $1,100 AutoBid

22432 15-Mar-2021 05:44:39 PM $1,000

The bidding history list updated on: Friday, April 19, 2024 08:45:22

LOT 324

CPE OC
1923 - 2008
Canadian

Parceled Landscape
etching, watercolour and postage stamps
signed, titled and dated 1970 and on verso inscribed "BG-E-1970-23" and "P.003" and stamped Studio Betty Goodwin
13 1/2 x 16 3/4 in, 34.3 x 42.5 cm

Estimate: $2,000 - $3,000 CAD

Sold for: $2,000

Preview at: Heffel Montreal

PROVENANCE
Estate of the Artist

LITERATURE
Rosemarie L. Tovell, The Prints of Betty Goodwin, National Gallery of Canada, 2002, pages 11, 34, listed and reproduced on page 132


Please note: the full sheet size of this work is 25 1/2 x 19 1/2 inches.

Born in Montreal in 1923, Betty Goodwin worked for nearly 50 years in a variety of media – painting, drawing, collage, printmaking and sculpture. Often associated with themes of loss, absence and memory, her works are poignant and connect deeply with both the public and critics. In 1968, Goodwin attended Yves Gaucher’s etching class at Sir George Williams University (now Concordia University). This decision proved immensely significant for her career, as printmaking allowed her to reconnect to her artistic beginnings and brought her national and international recognition. In the words of art historian and curator Rosemarie L. Tovell, “over the last three decades, Goodwin has created one of the most significant and original bodies of prints produced by any Canadian artist.”

Similar to her earlier still life paintings, Goodwin focused on household objects for her printmaking practice, often running the actual object through the soft-ground plate to better capture its essence. Parcels were the first subject she worked on in 1969, and they held a personal significance for the artist. At the time, her son was living in Karachi, Pakistan, and parcels were the only physical link between them. In her entry dated October 8, 1970 in her notebook with a blue-taped spine, Goodwin wrote “I identify with the parcel – wrapped up and unknown.”

With Parceled Landscape, Goodwin experimented with the collage effect of labels, postal stickers and stamps. In the upper left quadrant of the print, there is a Canadian postage stamp with what looks like a mountain landscape.


All prices are in Canadian Dollars


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