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ONLINE AUCTION
Art Now
5th session

September 01 - September 29, 2022

LOT DETAILS
         
         
         
         

This session is closed for bidding.
Current bid: $8,000 CAD
Bidding History
Paddle # Date Amount

325263 18-Sep-2022 04:47:29 PM $8,000

The bidding history list updated on: Friday, March 29, 2024 03:33:15

LOT 437

AANFM AAP ASQ
1929 -
Canadian

Le Sacre du printemps
acrylic on canvas
signed and dated 1995 and on verso signed, titled and dated
36 x 24 in, 91.4 x 61 cm

Estimate: $10,000 - $15,000 CAD

Sold for: $10,000

Preview at: Heffel Montreal

PROVENANCE
Collection of the Artist


Armand Vaillancourt was born in Black Lake in 1929 and raised on a farm in St-Ferdinand, in a time when everything was done by hand. Vaillancourt arrived in Montreal in 1951, bringing the boundless energy of a pioneer. The artist first entered the public eye in 1953 with his debut public work, L’Arbre de la rue Durocher. As Marie-Ève Beaulé wrote, “This essential work by Vaillancourt marks the beginning of modern sculpture in Quebec.”(1) Today at age 92, Vaillancourt the sculptor and painter— one of the fathers of modern sculpture in Canada and master of material expressionism—maintains an influential presence in the art world. Since the early 1980s, his body of work has been enriched by his passionate painting practice from which is taken this selection of works chosen by the artist.

1. Marie-Ève Beaulé, Inter: art actuel, no. 111, 2012.

We thank Joanne Beaulieu, vice-president of the Fondation Armand-Vaillancourt, for contributing the original French essay.

Although we tend to think of Armand Vaillancourt as an artist who chisels more than he paints, it is time to take a closer look at his signature expressionism in paint. An inventive and extraordinary creator with wide-ranging interests, his prodigious pictorial output has been a constant throughout his career. His paintings, drawings and prints have always expressed his passion for the role of art in society, with every work a performative clash of energies in which the creative impulse of colours dominates both material and tool—all is movement and action in his hands. In this sense, Vaillancourt is a media figure, inseparable from his work as the herald of the struggle for greater social justice. He expresses the gestural poetry of being alive—cutting pieces of daily life into letters, lines, figures and abstract shapes. Therein lies the rightness and relevance of Vaillancourt’s paintings - neither splintered nor fragmented, each of his works contains the full fervour of his life made art.

We thank Guy Sioui Durand, Wendat, sociologist, art critic and independent curator, contributing the original French essay.


All prices are in Canadian Dollars


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