ONLINE AUCTION
Post-War & Contemporary Abstraction
1st session

September 05 - September 26, 2024

LOT DETAILS
          
          
          
          

This session is closed for bidding.
Current bid: $14,000 CAD
Bidding History
Paddle # Date Amount

32062 26-Sep-2024 09:53:31 AM $14,000

24224 25-Sep-2024 08:31:49 PM $13,000

32062 24-Sep-2024 09:30:25 PM $12,000

24224 24-Sep-2024 09:29:46 PM $11,000 AutoBid

32062 24-Sep-2024 09:29:44 PM $10,000

24224 24-Sep-2024 04:05:02 PM $9,500

29332 24-Sep-2024 02:48:15 PM $9,000 AutoBid

24224 24-Sep-2024 02:48:15 PM $8,500

29332 21-Sep-2024 06:19:56 PM $8,000 AutoBid

24224 20-Sep-2024 07:33:40 PM $7,500

29332 19-Sep-2024 03:14:05 PM $7,000

24224 18-Sep-2024 12:22:46 AM $6,500

29332 18-Sep-2024 12:22:20 AM $6,000 AutoBid

24224 18-Sep-2024 12:22:20 AM $5,500

29332 08-Sep-2024 01:53:12 PM $5,000 AutoBid

The bidding history list updated on: Monday, October 07, 2024 08:28:14

LOT 025

CGP CPE CSGA OC OSA P11 RCA
1924 - 1990
Canadian

Still Life with Straw Hat
oil on board
signed and dated 1953 and on verso signed, titled and dated
13 1/4 x 17 3/8 in, 33.7 x 44.1 cm

Estimate: $7,000 - $9,000 CAD

Sold for: $17,500

Preview at:

PROVENANCE
Private Collection Toronto


2024 marks not only the 70th anniversary of the first exhibition by Painters 11, of which Town was a founding member, it also marks the centennial of Town’s birth, providing us the perfect vantage point from which to observe his place in Canadian Art history. Painter, printmaker, draftsman, author, and critic, Town’s centrality to Canadian art and culture in the 1950s and 1960s is difficult to overstate. Prolific and intensely collected both publicly and privately, his works are often boldly iconoclastic, intellectually confrontational, and technically virtuosic. Apart from his numerous Canadian exhibitions and retrospectives, his works were also included in international exhibitions held at the Guggenheim, the Smithsonian, Canada House Gallery in London, the Bienal de São Paulo, the Milan Triennale, and twice at the Venice Biennale. Fiercely loyal to a national and regional focus and practice, Town’s broad oeuvre forever impacted art in Canada.

This vibrant, gestural, fully abstract-expressionist work was produced at a key juncture for Town and for painting in Canada. 1953 was the year the collective known as Painters 11 exhibited their work at Simpson’s department store in a project titled “Abstracts at Home.” This was prologue to their first formal exhibition with Roberts Gallery the following year, a watershed moment Canadian Art history.


All prices are in Canadian Dollars


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