ONLINE AUCTION
Post-War & Contemporary Abstraction
1st session

September 05 - September 26, 2024

LOT DETAILS
          
          
          
          

This session is closed for bidding.
Current bid: $6,000 CAD
Bidding History
Paddle # Date Amount

33411 26-Sep-2024 01:14:35 PM $6,000 AutoBid

25689 26-Sep-2024 01:14:35 PM $5,500

33411 26-Sep-2024 01:00:47 PM $5,000 AutoBid

31446 26-Sep-2024 01:00:47 PM $4,750

33411 26-Sep-2024 12:55:18 PM $4,500 AutoBid

25689 26-Sep-2024 12:47:27 PM $4,250

10079 26-Sep-2024 12:41:40 PM $4,000

33411 26-Sep-2024 09:07:24 AM $3,750

25689 25-Sep-2024 05:35:38 PM $3,500

14377 24-Sep-2024 02:27:23 PM $3,250

33411 24-Sep-2024 01:47:53 PM $3,000

919065 21-Sep-2024 06:36:18 AM $2,750

872113 06-Sep-2024 10:40:22 AM $2,500

The bidding history list updated on: Monday, October 07, 2024 08:44:20

LOT 022

CGP CPE CSGA OC OSA P11 RCA
1924 - 1990
Canadian

Entrance of the Stage Left Dragon
mixed media on board
signed and dated 1960 and on verso signed, titled and dated on the exhibition label
48 x 36 in, 121.9 x 91.4 cm

Estimate: $4,000 - $6,000 CAD

Sold for: $7,500

Preview at:

PROVENANCE
An Important Private Collection, Toronto

LITERATURE
David Burnett, Town, Art Gallery of Ontario, 1986, reproduced page 15

EXHIBITED
Art Gallery of Ontario, Toronto, Harold Town: A Retrospective, May 16, 1986 - July 6, 1986


2024 marks not only the 70th anniversary of the first exhibition by Painters 11, of which Town was a founding member, it also marks the centennial of Town’s birth, providing us the perfect vantage point from which to observe his place in Canadian Art history. Painter, printmaker, draftsman, author, and critic, Town’s centrality to Canadian art and culture in the 1950s and 1960s is difficult to overstate. Prolific and intensely collected both publicly and privately, his works are often boldly iconoclastic, intellectually confrontational, and technically virtuosic. Apart from his numerous Canadian exhibitions and retrospectives, his works were also included in international exhibitions held at the Guggenheim, the Smithsonian, Canada House Gallery in London, the Bienal de São Paulo, the Milan Triennale, and twice at the Venice Biennale. Fiercely loyal to a national and regional focus and practice, Town’s broad oeuvre forever impacted art in Canada.

This work is a pristine example of the mixed media collage Town produced in the late 1950s and early 1960s. Here, Town uses the paper’s translucence to create layers of depth in the lower half of the work, contrasted against the minimalism of the rest of the image. While these works are easily associated with the Surrealists’ tradition of collage, Town’s engagement with fine paper, negative space, and a calligraphic sense of line also points to the influence of a classically Japanese aesthetic.


All prices are in Canadian Dollars


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