PROVENANCE
Mazelow Gallery, Toronto
Une importante collection privée, Toronto

2024 marks not only the 70th anniversary of the first exhibition by Painters 11, of which Town was a founding member, it also marks the centennial of Town’s birth, providing us the perfect vantage point from which to observe his place in Canadian Art history. Painter, printmaker, draftsman, author, and critic, Town’s centrality to Canadian art and culture in the 1950s and 1960s is difficult to overstate. Prolific and intensely collected both publicly and privately, his works are often boldly iconoclastic, intellectually confrontational, and technically virtuosic. Apart from his numerous Canadian exhibitions and retrospectives, his works were also included in international exhibitions held at the Guggenheim, the Smithsonian, Canada House Gallery in London, the Bienal de São Paulo, the Milan Triennale, and twice at the Venice Biennale. Fiercely loyal to a national and regional focus and practice, Town’s broad oeuvre forever impacted art in Canada.

This work is a classic example of what Town referred to as his “Single Autographic Prints.” These works are monotypes – prints in an edition of just 1 – produced using lithographic stones acquired from fellow Painters 11 artist Oscar Cahen. Employing both intent and accident, Town utilizes inks, pigments, stencils, and found materials to produce prints of startling depth, sophistication, and modernity.

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