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DÉTAILS DU LOT
Cette séance est fermée aux enchères.
Enchère actuelle: 1 300 $ CAD
Historique des enchères
# de palette Date Prix

33411 01 mai 2020 | 16 : 31 : 59 1 300 $

39079 01 mai 2020 | 16 : 29 : 49 1 200 $

33411 01 mai 2020 | 16 : 27 : 10 1 100 $

39079 01 mai 2020 | 16 : 26 : 31 1 000 $

33411 01 mai 2020 | 16 : 21 : 02 900 $

39079 01 mai 2020 | 16 : 20 : 32 800 $

33411 01 mai 2020 | 15 : 56 : 33 700 $

31631 28 avr. 2020 | 12 : 47 : 56 600 $

33411 24 avr. 2020 | 13 : 45 : 07 500 $

30896 23 avr. 2020 | 23 : 59 : 55 450 $

39237 14 avr. 2020 | 19 : 13 : 35 400 $

La liste de l'historique des enchères a été mise à jour le: jeudi, 28 mars 2024 | 11h 36m 23s

LOT 323

ARCA G7 OSA
1881 - 1969
Canadien

Male Figure / Detail Study (verso)
dessin au stylo, à l’encre et au graphite
au verso titré, daté et étampé
5 3/4 x 4 po, 14.6 x 10.2 cm

Estimation : 800 $ - 1 000 $ CAD

Vendu pour : $1,625

Exposition à :

PROVENANCE
Collection of the Artist
Acquired from the above by John Vanderpant, Vancouver
By descent to the present Private Collection, Vancouver

BIBLIOGRAPHIE
Joyce Zemans, Jock MacDonald: The Inner Landscape, Art Gallery of Ontario, 1981, page 47


This work was acquired directly from Group of Seven member Frederick Varley by the internationally renowned photographer, John Vanderpant. Vanderpant and Varley became very close friends when Varley moved to Vancouver in 1926 to head the department of Drawing and Painting at the newly formed Vancouver School of Decorative and Applied Arts (now Emily Carr University of Art + Design). While Varley taught at the school, Vanderpant opened the Vanderpant Galleries, which promoted British Columbia artists and became a gathering place for Vancouver’s artistic community. Together they would spend evenings socializing, drinking and discussing the emerging West Coast aesthetic.

Both artists shared ideas in common regarding the metaphysical qualities of art. As historian Joyce Zemans remarked, the Vancouver scene of the time could be summed up by Jack Shadbolt's recollection of Varley’s advice to his students to “forget anything not mystical.” Varley considered the work that he produced after moving out west to be his best. The landscape of ocean and mountains impressed him greatly, and influenced his use of deeper, richer colours. He infused his work with a spiritual quality, awakened in part by an interest in Eastern art and philosophies.

The late 1920s and early 1930s saw a radical shift into modernism, away from the conservative Victorian art tradition that previously defined the Vancouver art scene. The arrival of Varley, Vanderpant, and others like Jock Macdonald helped spur a new energy in the city, laying the foundations for the next generation of artists. Between them, their relationship and shared interests helped to redefine modern art on Canada’s West Coast.


Tous les prix affichés sont en dollars canadiens.


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