OC RCA
1928 - 2023
Canadien
Still Living - 4 Acts - Scene I
photographies couleur par diffusion-transfert
a ) Folio Cover with Exhibition Card and Description of Artwork
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
portfolio
editioned 5/10
26 x 20 3/4 in, 66 x 52.7 cm
b ) Title Page
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
photographie couleur par diffusion-transfert
signed, editioned 5/10 and dated 1982
22 1/8 x 17 1/2 in, 56.2 x 44.5 cm
c ) Page One
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
photographie couleur par diffusion-transfert
signed, titled, editioned 5/10, dated 1982 and
embossed Still Living 4 Acts - Scene I with a blind stamp
22 1/8 x 17 1/2 in, 56.2 x 44.5 cm
d ) Page Two
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
photographie couleur par diffusion-transfert
signed, titled, editioned 5/10, dated 1982 and
embossed Still Living 4 Acts - Scene I with a blind stamp
22 1/8 x 17 1/2 in, 56.2 x 44.5 cm
e ) Page Three
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
photographie couleur par diffusion-transfert
signed, titled, editioned 5/10, dated 1982 and
embossed Still Living 4 Acts - Scene I with a blind stamp
22 1/8 x 17 1/2 in, 56.2 x 44.5 cm
f ) Page Four
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
photographie couleur par diffusion-transfert
signed, titled, editioned 5/10, dated 1982 and
embossed Still Living 4 Acts - Scene I with a blind stamp
22 1/8 x 17 1/2 in, 56.2 x 44.5 cm
g ) Page Five
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
photographie couleur par diffusion-transfert
signed, titled, editioned 5/10, dated 1982 and
embossed Still Living 4 Acts - Scene I with a blind stamp
22 1/8 x 17 1/2 in, 56.2 x 44.5 cm
h ) Page Six
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
photographie couleur par diffusion-transfert
signed, titled, editioned 5/10, dated 1982 and
embossed Still Living 4 Acts - Scene I with a blind stamp
22 1/8 x 17 1/2 in, 56.2 x 44.5 cm
i ) Page Seven
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
photographie couleur par diffusion-transfert
signed, titled, editioned 5/10, dated 1982 and
embossed Still Living 4 Acts - Scene I with a blind stamp
22 1/8 x 17 1/2 in, 56.2 x 44.5 cm
j ) Page Eight
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
photographie couleur par diffusion-transfert
signed, titled, editioned 5/10, dated 1982 and
embossed Still Living 4 Acts - Scene I with a blind stamp
22 1/8 x 17 1/2 in, 56.2 x 44.5 cm
k ) Page Nine
Michael James Aleck Snow
OC RCA
1928 - 2023
Canadien
photographie couleur par diffusion-transfert
signed, titled, editioned 5/10, dated 1982 and
embossed Still Living 4 Acts - Scene I with a blind stamp
22 1/8 x 17 1/2 in, 56.2 x 44.5 cm
Estimation : 6 000 $ - 9 000 $ CAD
Vendu pour : 6 875 $
Exposition à : Heffel Toronto – 13 avenue Hazelton
PROVENANCE
Acquired from Isaacs Gallery, Toronto by the present Private Collection, Ontario
EXPOSITION
The Isaacs Gallery, Toronto, Individual Sculpture and Photographic Prints by Michael Snow, November 13 to December 31, 1982
The Edmonton Art Gallery, Alberta, extended loan
The following inscription, in four separate boxes, appears on the title-page:
The 36 photographs in this edition were originally SX70 Polaroids. The prints were made by the dye transfer process. Half-tone separation negatives were made using a scanner (a machine which makes an electronic analysis of the original material, allowing for subtle changes within all the negatives). One negative is made for each of three colours: magenta, cyan and yellow. The matrices needed for the final print are made from these separation negatives. The print is assembled by soaking the gelatin matrices in the various dye baths and printing each layer for various lengths of time. The prints were made in collaboration with myself by Nino Mondhe, head of the dye transfer dept., at Creative Colour Laboratories, Hamburg, W. Germany. The edition is limited to 10 hand-painted portfolios each of 9 pages signed and numbered. The 4 images on Page Five were also part of a portfolio of photographs by various photographers produced by Anthony Film Archives of New York in 1982. The paper size in that edition was 15 5/8” x 20” and they were not embossed. The title “Still Living – 4 Acts – Scene 1” and the use of the word “page” are attempts to indicate the merging of textual, painting, sculptural, theatrical and photographic concerns which was the ambition of the work.
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