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This session is closed for bidding.
Current bid: $3,250 CAD
Bidding History
Paddle # Date Amount

33773 25-Mar-2021 04:03:26 PM $3,250

818579 25-Mar-2021 03:56:47 PM $3,000 AutoBid

33773 25-Mar-2021 03:56:47 PM $2,750 AutoBid

818579 25-Mar-2021 03:56:30 PM $2,500 AutoBid

33773 25-Mar-2021 03:56:30 PM $2,250 AutoBid

818579 25-Mar-2021 03:55:58 PM $2,000 AutoBid

33773 25-Mar-2021 03:55:58 PM $1,900 AutoBid

818579 25-Mar-2021 03:55:58 PM $1,800 AutoBid

33773 25-Mar-2021 03:55:58 PM $1,700 AutoBid

818579 25-Mar-2021 03:55:58 PM $1,600 AutoBid

33773 25-Mar-2021 03:55:58 PM $1,500 AutoBid

818579 25-Mar-2021 03:54:06 PM $1,400 AutoBid

33773 25-Mar-2021 03:54:06 PM $1,300 AutoBid

818579 25-Mar-2021 03:54:06 PM $1,200 AutoBid

33773 25-Mar-2021 03:54:06 PM $1,100 AutoBid

818579 15-Mar-2021 10:12:29 AM $1,000 AutoBid

The bidding history list updated on: Sunday, November 10, 2024 02:43:01

LOT 318

CPE OC
1923 - 2008
Canadian

Parceled Shoes for the Long Distance Runner
etching and drypoint, 1970 - 1971
on verso inscribed "BG-E-(1970-71)-02" and "Soul.003" and stamped Studio Betty Goodwin
14 3/4 x 17 3/4 in, 37.5 x 45.1 cm

Estimate: $2,000 - $3,000 CAD

Sold for: $4,063

Preview at: Heffel Montreal

PROVENANCE
Estate of the Artist

LITERATURE
Rosemarie L. Tovell, The Prints of Betty Goodwin, National Gallery of Canada, 2002, page 11, listed page 141 and reproduced page 140


Please note: the full sheet size of this work is 19 5/8 x 25 3/4 inches.

Born in Montreal in 1923, Betty Goodwin worked for nearly 50 years in a variety of media – painting, drawing, collage, printmaking and sculpture. Often associated with themes of loss, absence and memory, her works are poignant and connect deeply with both the public and critics. In 1968, Goodwin attended Yves Gaucher’s etching class at Sir George Williams University (now Concordia University). This decision proved immensely significant for her career, as printmaking allowed her to reconnect to her artistic beginnings and brought her national and international recognition. In the words of art historian and curator Rosemarie L. Tovell, “over the last three decades, Goodwin has created one of the most significant and original bodies of prints produced by any Canadian artist.”

Similar to her earlier still life paintings, Goodwin focused on household objects for her printmaking practice, often running the actual object through the soft-ground plate to better capture its essence. Many of her series focused on different articles of clothing, as she was interested in their anthropomorphic qualities.

According to Rosemarie L. Tovell, the idea for this print probably came from the first moon landing. Among Goodwin’s notes was imagery based on the photograph of the footprint left by the astronauts in the moon dust. The idea evolved with Goodwin wrapping real running shoes in paper and pressing them into the soft ground of the plate.


All prices are in Canadian Dollars


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